This body of work involves social commentary, raising questions about our consumer culture, the ideology that drives it, and the consequent impacts on the planet and long term effects on human survival.

Using a process invented by the artist, the movement of passing traffic is the press that prints earth and carbon pigments into canvas, capturing imprints of consumer culture and placing them in a new context.

This body of work is more introspective, and deals with the relationship between the forms that hold life and that enigmatic force invisibly dwelling within all living things.